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Director Wen Muye speaks on latest anti-war movie_我的网站

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    A still from the movie Once Upon a Time in the Middle East starring Shen Teng Photo: ICYears after tackling social issues in the breakout hit film Dying to Survive, Chinese director Wen Muye returns with Once Upon a Time in the Middle East. The film opened nationwide in China on Tuesday, and, including advanced screenings, crossed 200 million yuan ($29.6 million) at the box office on its first day. 
It centers on an ordinary Chinese chef caught in the crossfire of war. Shen Teng stars as Xu Fu, a cook who travels to the fictional Middle Eastern capital of Bahata to repay family debts. There he joins forces with restaurant manager Ma Junsheng (actor Jiang Qiming) to run a Chinese eatery. When conflict erupts, the self-preserving every-man endures personal losses and gradually comes to protect local children. 
Produced by Ning Hao, the film continues Wen's signature focus on "little people," this time placing them far beyond China's borders.
In an interview with the Global Times, Wen talked about the project's connection to news reports of Chinese migrants who open restaurants overseas and forge quiet connections through food.
"Many Chinese people go abroad simply to make a living," he told the Global Times. "They open restaurants, use food to break down regional barriers, and form deep bonds with locals." 
The production team conducted extensive research and location scouting in the Middle East to capture everyday details. Elements such as free-running single-humped camels required overseas shoots; the resulting images of open space after confinement, Wen noted, carry a simple sense of hope.
Food functions as the film's central motif. 
"Food more often stands for happiness and peace," Wen explained. "Even in a war-torn environment, people still cannot do without three meals a day. That sounds basic, but after all the big things in life, what people care about most are the simplest things - eating a proper meal and taking care of family." 
A specialized food unit developed the dishes, and Shen trained extensively so that most of the wok-tossing sequences were performed by the actor himself, Wen said.
The film deliberately intercuts kitchen routines with combat sequences. 
"Three meals a day represent our longing for peaceful life, while war is the extreme act that destroys peaceful life on a large scale," Wen said. "When they collide, each becomes clearer: Food feels more ordered and full of happiness; war feels more chaotic and dark." 
He hopes the juxtaposition helps audiences recognize how hard-won ordinary peace really is.
Xu Fu's decision to shelter orphans never relies on lofty rhetoric, only a meal and a roof. Wen described this approach as rooted in a human-centered outlook rather than classic Western hero narratives. 
"We place more weight on humanism and the value of a person's existence. Our culture is about living well, studying well, eating well, and looking after children. No matter how large the events, three meals a day remain unavoidable. Food itself has warmth and can give people real strength when they are in a difficult situation," Wen said. 
The director noted that he wants viewers to leave with the plainest conviction: live properly, eat properly, and cherish the peace that exists in the present.
On balancing personal expression with commercial reach, Wen kept his principle simple: "Make the film well and tell the story well. I try to put what I want to express into foreshadowing and details without hurting the viewing experience. If audiences notice those details, I will be glad. If they do not, it does not affect the normal narrative."
From Dying to Survive and Miracle: Stupid Kid to the new film, Wen's view of human complexity has remained consistent. "People have many different sides. They face different circumstances and make different choices." 
The through-line, he added, is the same plain belief: "Being able to enjoy a proper meal is the greatest happiness."
Early audience response has been overwhelmingly positive. Advanced screenings delivered scores of 9.7-9.8 on major Chinese platforms including ticketing platform Maoyan. 
Many entered expecting a light Shen Teng comedy and left in tears, describing the experience as "laughing then crying." Shen's restrained performance has drawn particular praise, with some calling it the strongest of his career. Jiang's supporting work has also been widely noted.
Moviegoers have frequently highlighted the film's refusal to deliver speeches. Its focus on daily meals and small acts of care lands more powerfully than any slogan. 
On the depiction of the conflict, audiences observe that the movie offers a perspective that "flips the Hollywood script" by casting the US as the invader, while refusing to portray US soldiers as pure villains. Instead they appear as ordinary young men: loose in discipline and marked by the alienation of war.
Both Chinese and overseas viewers have singled out this measured approach as part of the film's distinctive Chinese viewpoint: It sidesteps both Western hero narratives and simple demonization. Some international comments note that by staying with ordinary lives rather than choosing geopolitical sides, the story offers a different lens on conflict.
One widely circulated comment from a popular Chinese self-media account on WeChat captured the film's ambition: "You can think of this film as a blend of Casablanca, Schindler's List, and The Shawshank Redemption, yet at its core lies the same grounded human compassion found in Dying to Survive. This is a highly successful attempt by Chinese filmmakers to surpass Hollywood. It is the first Chinese film that truly possesses a global vision and a professional sense of international storytelling. It is also a gift of warmth and goodwill from the Chinese people to a world still torn by war and cruelty."
。    　　8月24日晚间，“果链”龙头立讯精密披露2026年半年报。上半年公司实现营业收入1745.04亿元，同比增长40.16%；归母净利润78.43亿元，同比增长18.04%。公司拟向全体股东每10股派发现金红利1.1元（含税）。

二 | 　　同日晚间，立讯精密披露三季度业绩预告，公司预计，前三季度实现归母净利润132.46亿元至143.98亿元，同比增长15%至25%。

三 | 　　业务结构持续优化　　今年上半年，立讯精密在行业技术迭代加速以及市场复杂变化的外部环境下，始终坚持长期主义，持续深化消费电子、通信与数据中心、汽车电子三大核心业务布局，充分发挥全球化产能配置、垂直一体化整合以及精密智造平台优势，实现经营规模与业务质量稳步提升。　　上半年，立讯精密的毛利率为11.78%，较2025年同期提升0.17个百分点，主要系通信与数据中心、汽车电子等高于公司整体平均毛利率业务保持较快增长，带动业务结构持续优化。

四 | 　　具体到业务来看，消费电子业务仍是立讯精密的基本盘，上半年实现营收1224.76亿元，同比增长19.27%。立讯精密表示，面向AI终端发展机遇，公司依托跨领域技术融合能力、智能制造体系及全球规模化交付能力，积极与全球领先客户开展智能穿戴、AI端侧硬件、机器人等创新性更强、复杂程度更高的产品开发，推动消费电子业务向产品定义、系统集成等更高价值环节延伸。　　同期，公司的通信与数据中心业务实现营收166.09亿元，同比增长49.66%；汽车电子业务实现营收323.91亿元，同比增长274.10%。　　通信与数据中心业务方面，上半年，立讯精密持续构建覆盖高速互联铜缆连接/光连接、热管理和电源管理的系统解决方案能力。高速互联方面，公司坚持光铜并进的发展策略。

五 | 在铜互联领域，公司持续推进224G、448G及下一代更高速率的技术布局，围绕CPC、NPC、Cable Cartridge、高速背板连接器等核心方向提升系统级互联能力，并着力推进CPC相关产品在2027年下半年实现商用落地。　　立讯精密表示，除北美市场以外，中国市场随着AI技术的演进亦爆发出庞大的市场机遇，尤其在高技术壁垒和国产替代下的高速铜缆、连接器领域，国内市场呈现出高质量发展态势。

六 | 基于技术领先性，公司在该市场已取得显著优势，未来三年将实现高速增长。　　在光互联领域，立讯精密持续推进800G规模化应用，今年上半年实现量产出货，并于下半年完成业内领先的自动化制程开发、验证和量产落地，同时围绕1.6T、2.4T、3.2T LRO、LPO，以及XPO、NPO、CPO等下一代技术方向进行前瞻布局，有望在2026年下半年和明后年陆续实现自动化制程开发与量产落地。　　热管理方面，立讯精密围绕AI服务器高功耗、高密度发展趋势，在目前已经实现量产的液冷产品基础上加速在北美核心客户端的产品导入，预计下半年和明年将分别实现取得供应商资格、小批量交付、大规模量产等不同阶段进展。同时，公司持续推进金刚石铜、微通道技术及CDU等先进散热产品布局和落地，并计划于明后年陆续量产落地。　　对于汽车电子业务，立讯精密表示，公司已与全球众多主流汽车品牌建立合作关系，未来将充分发挥公司在精密制造、智能制造和全球交付方面的综合优势，结合Leoni全球化资源，为全球车企以及中国汽车品牌出海提供本地化、智能化配套服务，持续提升汽车电子业务全球竞争力。　　前期投入有望逐步转化为增量成长动能　　立讯精密预计，前三季度归属于上市公司股东的净利润同比增长15%—25%。　　对此，公司表示，消费电子业务持续受益于AI终端创新趋势及ODM/JDM能力提升；通信与数据中心业务围绕高速电连接、光连接、热管理、电源管理等核心方向持续推进重点项目落地，伴随AI基础设施建设加速，相关业务成长动能逐步增强；汽车电子业务受益于全球化布局以及Leoni整合协同效应持续释放，业务规模和客户拓展稳步推进。　　展望2026年全年，立讯精密表示，公司前期战略投入有望在下半年逐步转化为增量成长动能。公司将继续强化全球资源配置、供应链协同、成本管控和风险管理能力，推动三大业务板块协同发展和业务结构持续优化，力争实现经营规模稳步增长、盈利质量持续提升、核心竞争力进一步增强，并取得优于行业平均水平的经营表现。（文章来源：上海证券报）。

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